What’s black and white and red all over?

1

My latest blocks for the birthday block exchange, that’s what!  And I have to say, I absolutely LOVE them!2I’ve never been much of a black and white fan, but lately I’ve been noticing that black and white, even if it’s just a small touch, adds quite a bit of zing to a quilt.  So when this month’s Birthday Block Swap partner requested black, white, and red, I accepted the challenge with anticipation.

3I’ve had a fat quarter of that adorable mushroom house print for a while, and this was the perfect project to use it in.  LOVE it.  And yes, I did make the striped print match in the corners on purpose.  My husband teases me about it, but sometimes being anal detail-oriented has it’s benefits.  I like paying attention to the little things.

4But this is the block that has stolen my heart.  I love, love, love it.  It’s actually a free download from RJR.  Is it not absolutely gorgeous?

One teensy, tiny problem I discovered while pressing and starching.  Gasp – one of those red fabrics was a bleeder!

6A cautionary tale, to be sure.  That fabric is good quality quilting cotton – designed by Alex Anderson, manufactured by P&B Textiles, and yes, it was prewashed.  It still bled.  I took a deep breath, snagged a couple of color catchers from the laundry room, and filled the sink with hot water.  I put one color catcher on top of each petal and let it sit for about 30 minutes.  I squished, pushed, and crunched the color catcher on top of the fabric.  I swished the fabric a bit more, then I drained the sink.  Filled it up again and added one fresh color catcher.  Let it soak.  This time the water was clear and the color catcher stayed white.  I rubbed and squished it some more on the bleeding reds and it stayed white.  So I drained it, let the block air-dry, then pressed it.  I’m confident it’s done bleeding.

I usually don’t trust color catchers to catch everything in the wash, but I didn’t have anything else to use.  My guidance regarding bleeding fabrics comes from Vicki Welsh.  She hand-dyes her own fabrics and did a little experiment with bleeding dyes – go ahead and read about it here, I’ll wait.  It’s totally worth your time.

Nowadays, I would (as recommended by Vicki) soak the snot out of that red fabric, instead of just washing it.  However, I acquired this fabric before I stumbled across Vicki’s experiment.  Fortunately, the color catchers worked.  The back of the block is dyed where those fabrics bled, but the front looks crisp and perfect.

5And I might have to put a black, white, and red quilt on my Bucket List!

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Using EQ7 to make scallops

The black floral stack-n-whack top is quilted and ready for binding. Yay!

6.

I’ve never been a fan of those large empty triangles that go along with on-point blocks.   They look awkward to me. I decided this quilt is the perfect candidate to play with a scalloped edge.

7.

I’ve never done a scalloped border, so I turned to The Googles for help.  Every single tutorial I found said to use a plate, bowl, or pizza pan to mark my curves.  Hmph.  None of my bowls or pizza pans were big enough.  Plus, I realized that I wanted my curves to be more oval-shaped than round.

So I decided to create my scallop curves in EQ7.  Here’s how I did it.

I measured the blocks corner to corner.

(Sidebar: I’m including the black sashing in this measurement.  I sashed each individual block instead of running long strips of fabric down each row.  This results in more accurate alignment of my blocks because all I have to do is match the corners and seams of the blocks.)

block border.

See the yellow arrows?  Those are the real corners of this block.

The blocks are 15 inches long (from yellow arrow to yellow arrow), and my quilt border is 5 inches wide (from the outermost point of the block to the outer edge of the quilt).

Next, I went to EQ and clicked on the Block worktable.  Currently, the block size is 6 inches by 6 inches.

eq size.

I changed it to 5 inches by 15 inches.

EQ 5.

Next, I clicked on the curve pencil (see toolbar on the left side) and drew from the bottom left corner to the top left corner.  I found that if I started at the top, the curve went the other way.

eq3.

To change the depth of the arc, click on the second arrow in the left toolbar, then click on the arc.  I made mine a little more pronounced.

eq4.

I then clicked File, Print, Block, and after double-checking that my block size was correct, printed my scallop.  Because it is 15 inches long, it printed on 2 sheets.  I taped them, cut on the curve, and voila!  My scallop template is ready.

making scallops.

I used bar soap to mark the curves.  I know it won’t leave marks, it washes out easily, and it won’t fade or disappear as I handle the quilt.

scallops.

When I got to the corner, the scallops were so close to meeting that I just winged it and connected the arcs freehand.

scallops2.

The next part is the most important part.  DO NOT CUT THE SCALLOPS AT THIS POINT!  You need to sew the binding on first.  If you cut the scallops first, you will have a nightmare mess of bias edges to deal with as you sew the binding.

attach.

And that’s how you design a scalloped border in Electric Quilt!

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What was I thinking, Part 2: a finish!

Ha! I have tamed the feathered star block!

Patricia's feathered starIn my last post, I was trying to figure out how to handle those Y seams.  They are not fun to sew, especially if you’re anal  um, detail-oriented like me and insist on seams matching perfectly.  In the end, I decided to fold under some seam allowances, glue-baste, and topstitch.  Can you see the stitches?

patricia 4It worked perfectly.  I could not be happier.

This feathered star was one of two blocks that I’m sending off to a Birthday Block Swap recipient.  Here’s the other block:

patricia 1This one was much easier to make.  It’s a pineapple variation.

patricia 3I have to be honest and say the feathered star is my favorite of the two.  I like it so much  I started playing around with it in EQ.

I don’t remember the name of this blue block, but I tried it because I like how the sides point out where the feathered star goes in.

Patricia's feathered star2

However, the scale is all wrong.  The blue blocks are way too large for the more delicate-looking FS blocks.  So I went back to browsing EQ’s block library.

Hmmm.  Pickle dish?

pickled star 3Wow!  I like it!  What if I swapped the blocks around….

pickled star 4I like that too!  I really like the juxtaposition of curves and spikes.

The blue is a little overwhelming, I think.  What if I shrunk the pickle dish blocks down a bit?

pickled star2

Okay I think this one is my favorite!

I just realized that I started out wanting to add a block that was complimentary to the shape of the feathered star, but I ended up with something totally different.  How cool is that.  Hopefully someday I’ll get around to making this as a wall hanging!

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Birthday Block additions

Here are two more birthday blocks I made and sent off a while back.  The colors requested were purple, hunter green, blue, cream.

This one is called Braided Star.  I love it!

Kristi 2

I think the second block is very similar to the Blackford’s Beauty block.   My color placement is a little different.

Kristi 10

Kristi 30

I loved working with these colors, and I hope the birthday girl likes her blocks!

 

Flange Binding

A few months ago, at a day-long sew-in, I sat next to a quilter who was sewing a flange binding on to her wall hanging.  I LOVED the look, it gives the quilt a special little pop and finish.  That day, she showed several of us fellow quilters how to do it, but I didn’t have the right quilt to try it out on until now.

This is my friend Brandy’s quilt; she hired me to do the binding work on it.  She graciously gave me permission to experiment and play with adding a flange.

After I measured the perimeter of the quilt and determined the length of the binding – 310 inches – I cut several strips of pink at 1″ wide, and several of yellow at 1.25″ wide.   I like a fairly narrow binding; you can cut yours wider if you wish.  The easiest thing to remember is to simply cut your flange fabric 1/4″ wider than your binding fabric.

After sewing all the strips together so I had one long pink strip and one long yellow strip, I sewed them, right sides together, lengthwise.

I pressed towards the binding (pink), then folded it lengthwise with raw edges even, and pressed again.  You can see the yellow flange peeking out at the bottom.

I sewed the binding on the quilt.  A flange binding is different from a regular binding in that you do not first sew it on the front  -  you sew it to the back.  I aligned the raw edges of the binding with the raw edges of the back of the quilt quilt, and sewed.

Notice how I sewed with with flange fabric facing up. If you sew it with the binding fabric facing up, call me, I’ll bring my seam ripper and a couple of bottles of wine.

When you get to the corners, you treat them exactly the same as you would with normal binding:

Stitch along the edge until you get 1/4″ away from the corner, turn and sew off the corner.

Fold the binding diagonally and up so the raw edge is even with the raw edge of the quilt.

See how my finger is holding the bottom left corner of the binding in place?  You want that corner to stay right there.  Do not pass Go, do not collect $200.

Fold the binding back down, keeping the raw edges of the binding aligned with the raw edge of the quilt (on the right side).  The binding fold at the top should be even with the top edge of the quilt.

Starting from the top edge and keeping raw edges aligned, sew with a 1/4″ seam down to the next corner.

Lather, rinse, repeat.Here is how I join the ends of my bindings.  This method works perfectly no matter how wide your binding is or what kind you use – with or without flange.  First, measure how wide the binding is.  In my case, it’s 1 3/4″.

Then I overlap the ends by that measurement – see the green dotted line?  That’s where I cut the end off that strip.  Don’t cut the bottom strip, though, or you’ll need to start all over and I’ll have to bring more wine.

I stuck a pin through the seam where the pink and yellow fabrics met.  More green dotted lines to help you see exactly where…

Here’s the inside view.  You can see how the pin goes right through the center of those seams.

Then I stitched the two strips together diagonally, making sure I went right over the spot where the two seams met.  See the red dotted line?  That is where you sew.

Done!

Press that last section of binding together, raw edges even, and finish stitching it to the back of your quilt.

Now it’s time to flip the binding around to the front of the quilt and sew.

I used a color of thread that blended well with the yellow, and stitched in the ditch, right at the edge of the pink binding.

When I got to the corners, I folded the binding into a miter and held it in place with a stiletto.  I stitched as close to the corner as I could get before I turned the quilt.  I reduced my stitch length on a couple of corners because doing that enabled me to get right next to the pink binding without stitching into it.

And it’s done!  Here’s the front:

Front and back together:

I was very pleased at how quick and easy this binding was.  Brandy loved it and really liked the extra detail provided by the yellow flange.  I hope this inspires you to try a flange binding on your next quilt!

 

Binding madness

I received 3 quilts this week for binding, in addition to the binding I’ve been putting on my own quilt.  The first one is pretty straightforward:

It’s fun to work on because I like the quilt’s colors. The thread, backing, and binding are all the same gorgeous shade of deep teal, which makes it a little difficult to see the stitches, so I needed plenty of light.

The second one is for my friend Brandy.  She originally wanted a very pale pink binding, but I talked her into a darker pink because I thought it would help the other pinks in the (mostly green) quilt pop. Once I got it home, I sat and stared at it for a while, then texted Brandy to ask if she’d let me play with it and add a flange onto the binding.  She graciously said yes, so I added a very narrow strip of yellow.

I LOVE it, and so does Brandy!  This type of binding was super easy and fast, and I’m sure I’ll be doing it again!

For the binding on my own quilt, I decided to do a scalloped edge, which means bias binding.  This is the first time I’ve attempted scallops, and so far I’m very pleased!


I did initially struggle with the size and shape of the scallops, but I came up with the perfect solution, which I will share with everyone tomorrow.  I gotta get that pretty teal binding done for my customer first!

 

 

Initiating a new generation

My 12-year old son, Preston, attends a charter school that focuses on project-based learning.  Imagine how tickled I was when he came home from school and informed me that his math project for that week was to create 2 quilt blocks!

The requirements were that each block had to have a minimum of 8 pieces.  He had to figure out the area of each section, or patch, then how much fabric was required for a) each patch of the block, b) each block, and c)  for a whole quilt.  He thought it would be fun to make his blocks out of fabric, instead of drawing and coloring them.  I heartily agreed.  What else could I have done?  heh heh….

So I sat quietly while he drew his blocks out on paper and did the math.

Sorry, Electric Quilt Company, but this is one time when it really does need to be done the hard way.

Once he finished his design on paper, it was open season on the fabric stash.  I showed him stripes, prints, swirls, but to my surprise he picked solids.

(It’s entirely possible that he was overwhelmed by the selection.)

After watching him make 2 or 3 cuts with my rotary cutter, we both agreed it would be better if I was in charge of cutting, and he was in charge of sewing.

I set him up on my “baby” Brother machine, the one with the variable speed control

He did very, very well!  He put together two beautiful blocks!

It’s always fun to initiate a quilt noobie!  I asked him if he had fun, he said yes.  I asked him how likely it was that he would sew something else, perhaps an entire quilt.  He thought about it, then answered, “About 35% chance, I’d say.”

I’ll take it!

p.s.  Yes, Mom, he’s had a haircut since this picture was taken…

 

Latest and greatest in birthday block swap

Birthday girl has received her blocks, so I can show these now.

She specified red, blue, tan and cream.

I love how both blocks turned out, but this appliqued log cabin has a special place in my heart.

It’s inspired by one of the very first quilts I ever made.

It hung in our master bath, of all places, sort of forgotten, until I had a guest who admired it at length and asked if she could have it.  I thought why not let it go to a new home, where someone will love it anew?

But I missed it, like a child who has grown and moved on.  It was pretty, the soft taupes and pinks and corals.  The wall in the master bath is still empty.  So I decided to make another one, this time destined for another home from day one.

Gorgeous.  Even my husband loved it.  This was the one he didn’t want me to send away (apparently he didn’t care much for the pinks) but I assured him I can always make another one.